3 UHF Audio Channels Desktop Wireless Gooseneck Conference Microphone
UHF Channels | UHF 3 channels |
Oscillation | PLL synthesized |
Frequency range | UHF 620MHZ-850MHZ |
Frequency Stability | ±0.001% |
Modulation Mode | FM |
S/N Ratio | >105 dB |
T. H. D | <0.7%@ 1 KHz |
Sensitivity | SNR>60dB @25KHz, 6dBv. |
Power Supply | DC 12 V-18V |
Band Width | 30MHz |
Max Deviation Range | ±45KHz |
Frequency Response | 45Hz-18KHz±3dB |
Operation Distance | Conventional receiving range is 60 meters |
Output | XLR*1, 6.35mm *1 |
Weight | 2.4kg |
Dimension | 483x323x90 mm |
Power Supply | DC 3 V (1.5 V AA battery x 2) |
RF Power Output | 15mW |
Type | Condenser |
polar pattern | Cardioid |
Weight | 1kg |
Dimension | 150*120*440mm |
Features
Introduction
● EG-7230 wireless conference system provides flexible solution for multi-purpose venue.
● It is a quick & easy job to setup the whole system with the friendly interface on the main controller screen.
● The simply elegant microphone unit produces high quality timbre.
Main Feature
● Up to 2 chairman unit & 248 delegate units can work with one EG-7230M main controller
● 3 UHF audio channels support discussion for 1 chairman & 2 delegates
● Display & control: 4.3-inch capacitive screen, 480*272 pixels
● Support PELCO P/D, YAAN, SONY EVI-D70,BRC-Z330 camera agreement. Other agreement can be loaded under special requirement
● With voting function
● 60m working distance
Microphone unit
● Professional and elegant zinc alloy Panel
● Hyper-cardioid directional gooseneck microphone for better voice gain
● 1.77inch TFT colorful screen, 128*160 pixels
● Red ring indicator shows working condition which is very convenience to use
Application
EG-7240 is a simple plug- and-play conference system features easy operation,
Ideally suitable for small scale boardrooms and meeting rooms, Large Meeting Room, Large lecture seminar
The third mode, Smash, feels more like an effect. Apogee recommends it for podcast vocals and a radio broadcast sound, but we'd recommend either avoiding this mode, or using it with a very low gain setting. With the gain at the highest level it can go to without distorting in this mode, but the vocals are absolutely, well, smashed. It's a recognizable sound—radio DJs typically have super-compressed vocal mics so they can yell and get quiet without any perceived volume drop-off for the listener. But that doesn't necessarily make for well-recorded vocals. Dialing back the gain in Smash mode, you can find a useful level for recording intense vocals if you've got a singer (or a podcaster) who's going to yell, this mode will tame the vocals and keep things from getting fuzzy.